2023—Let It Be

Like all years, 2023 held the good and the bad. For me, the scale tipped more toward the bad side, but thankfully, most of that is well behind me. I have much to celebrate today, my 35th wedding anniversary, so let me reminisce.

Photo by Qui Nguyen at unsplash.com

Why a picture of coral? Symbolizing longevity and success, coral represents the 35th anniversary. Neither plant nor rock, coral is animal, an invertebrate that can live for hundreds, even thousands, of years! A sign that these beautiful old fossils and their strong union will last nearly into eternity.

 

Oops, those aren’t the old fossils but the young cuties in 1987 and 1988, respectively. These are fuzzy stills taken from the video interviews we did at the dating club where we met, then known as American Millionaires International (“AMI”) on West 57th Street in Manhattan. No, we weren’t millionaires or anywhere close, even further from that mark after AMI took a big chunk of our money in membership fees! Worth it, though, right? The people at AMI eventually realized the name was a little off-putting and changed it to “Invitations.”

For those of you in the dating app click-and-swipe generation, here’s how the antiquated system worked in the 80s. I filled out a two-sided, single-page questionnaire with basic info and still photos, what AMI called the “Perfect Match Profile.” I’d go there and leaf through the binders of profiles, find the ones I liked, and ask to see the corresponding videos with scintillating questions like, “What’s your idea of a romantic date?” and “Where do you see yourself in five years?” If I liked a video, AMI would snail mail a postcard to my chosen one, asking him to come in and look at my profile and video. If it’s a “yes” from him, AMI snailed me a postcard with his phone number. It was up to me, the initial chooser, to call the amenable chosen one. If someone chose me first, it would go the other way around. Don’t think I had too many of those.

What a process! Had to be patient in those days.

I’d been in the club for a year and had about eight dates before meeting Kevin. He was new, and I was his first, occasioning his tongue-in-cheek comment that he didn’t get his money’s worth on the exciting dating scene. I told him, “You lucked out big time.” The eight dates I had were painfully awkward. My favorite was the guy who had a fantasy of driving me to the restaurant on the back of his motorcycle. On the phone I said, no way, I’ll meet you outside and we’ll take a cab. He showed up at my building with his motorcycle anyway. On the intercom, I nixed the motorcycle ride again and refused to open the door so he could leave his helmet in my apartment. When we got back from the date, his helmet was no longer dangling from the handlebars.

Six months to the day after our first date at Windows on the World, Kevin proposed—also at Windows on the World. I could guess what was coming as he nervously whispered his practice lines. So could the party of four sitting at the next table. Before Kevin could take out the ring box, one of the men blurted in a Texas accent, loud enough for us to hear, “I think he’s going to propose!” It was a “yes” from me, of course, uttered shyly to Kevin as he put the diamond on my finger, with my back partially turned to that boisterous (drunk?) group.

Soon after, we went back to AMI and politely demanded our profiles and videos as keepsakes. When they found out we were engaged, the cry went out, “Engagement here!” Three or four startled singles in the library looked up from the profile books and started clapping. AMI agreed to release our profiles and videos only after shaking us down for a Member Profile Interview to publish in their newsletter. The writer got creative and colorful in exaggerating our respective career titles and “quoting” our remarks about the fabulous AMI system.

And the rest is history.

I owe Kevin, as well as other family members and friends, my gratitude in helping me through my 2023 health setback. Chemo, surgery, and most side effects are now out of the way with complete success, so it’s full speed ahead with good health in the New Year! I had to quit teaching dance for several months, but I’m back now and looking forward to teaching many adult classes in 2024.

This photo with some of my students at Scarsdale Ballet Studio was taken in February before I went on break. I danced at home during this period to try and keep in shape.

 

Here is a still from a short piece of choreography I recorded in July, pre-surgery. You can watch it here on YouTube.

 

The writing life continues. Had a lot of fun appearing on the Voice of Indie podcast in August. You can hear it here. The two hosts, Beem Weeks and Stephen Geez, are excellent writers with interesting books I recommend.

Didn’t get anything published in 2023 but wrote a few stories and I’m close to finishing a book-length collection of short fiction. Murderous Ink Press will be publishing my story, “A Father’s Duty,” in one of their 2024 anthologies. I’m most excited about my new novel, Indelicate Deception, a character-driven family drama with an element of suspense and social thematic underpinnings. Although one of the characters is a lawyer, the novel is a far departure from my Dana Hargrove suspense novels. I finished the first draft early in the year, polished it, and am sending out queries to literary agents. Wish me luck trying to get this book out to the world sooner than later!

Dear friends, here’s to health, happiness, and peace in 2024 and beyond,

Vija

2020: Positivity and Perfect Vision

Perfect Vision

In 1989, the lure of big cash, fame, and glory, inspired me to write my first novel. The “Turner Tomorrow Fellowship Award” called for unpublished works of fiction on the theme of creative and positive solutions to global problems. Set in 2020, with an oh-so original title, Perfect Vision was to be my stunning debut novel, featuring a cast of fascinating, prescient characters who creatively avert a future dystopia. I gave it a happy ending. Sadly, however, Ted Turner passed on this masterpiece, cliches and all. The trash can wasn’t so picky.

Accentuate the Positive

Now, as we say goodbye to the actual 2020, I’m giving the final page a happy ending. “You’ve got to accentuate the positive, eliminate the negative,” Bing would sing. I hope you’ve been cheered by at least a few positives this year. Here are mine.

The year started out great with the January launch of Seven Shadows and two sets of Dana Hargrove Doubles on Kindle Unlimited: Thursday’s List & Homicide Chart and Forsaken Oath & Deep Zero.

My writing brain took a while to refocus, but now I’m well into a draft of the sixth, and final, Dana Hargrove novel. Title to be announced! I’m also working on a new story collection.

In February, before the pandemic hit, we had a fantastic road trip through Southern states. Click on my travelogue for all the highlights: routes, sights, events, food, and more.

Social Distancing = More Socializing

Say what? This year has seen more frequent socializing—but of a different kind—with neighbors, friends, and family.

Used to be that the only breathing creatures out for a walk on our quiet cul-de-sac were the deer and squirrels. That changed with homeschooling and work at home. Now everybody needs to get out for a little fresh air and a walk. We’ve had many socially distanced conversations with our wonderful neighbors, and during the warm months, even had a few happy hour gatherings in the turnaround at the end of our cul-de-sac.

Speaking of walks, we are blessed with many beautiful nature trails in the area, and it’s been nice to see more families out together walking. One day, I was surprised to hear a lone saxophone player in the woods. Click here to go to my Instagram post to hear the beautiful sound.

We’re all Zooming, of course, and this has meant more interaction on screen with my children, siblings, and other family members who do not live nearby (why didn’t we always do this?) My longstanding book group of close friends, the Lit Chicks, have had more meetings online than ever before, and I found a new online book group full of smart, insightful fiction lovers, Books and Bars. Great books and intelligent conversation!

Dance, Dance, Dance

Virtual dance classes at home make it easier to get to class! Kevin installed a beautiful wood floor in our sunroom this spring, giving ample space to take class and teach class.

Wasn’t so easy, figuring out camera angle, sound, and virtual teaching techniques, mirroring and saying “left” when I’m on my right. A fun challenge. The sides of my brain may be permanently switched. To my dedicated group of adult dancers at Scarsdale Ballet Studio: thank you! It’s been wonderful teaching you ballet and jazz and watching you dance on my screen.

Not having to deal with driving or riding the train long distances has made it easier to take classes I would not otherwise get to. Big thanks to all the wonderful ballet and contemporary dance artists whose classes I’ve taken this year: Christian Claessens, Igal Perry, Nina Goldman, Tanner Schwartz, David Fernandez, Tobin Eason, Noriko Hara, Kate Loh, Nancy Bielski, Teresa Perez Ceccon, Diane McCarthy, Laurie DeVito, Jana Hicks, Tyrone Monroe, and Johanna Bergfelt.

And so ends another year, with great things to look forward to in 2021. I’m grateful for my health and the health of my family. Yesterday, December 30, Kevin and I celebrated our 32nd wedding anniversary.

Here’s wishing you a Happy and Healthy New Year full of laughter, dance, fiction, and fun.

Celebration! Birthday thoughts, mystery & suspense stories, cover reveal

 

It’s my birthday! Thanks so much for joining me in the celebration.

Is this a milestone of sorts? I’m not allowing the number and its associated labels to mess with my head. Today is another day full of wonder, delight, and possibility.

A day for reflection, to be grateful for a loving family, close friends, sound health, and the good fortune to be living in a time and place that affords women the freedom to work in artistic and intellectually stimulating fields. For me, that means law, fiction writing, and dance. Not necessary in that order and sometimes simultaneously!

Today, I’ll write about writing. So far, 2019 is a banner year for short fiction, both solo works and collaborations with gifted writers and editors. If you’re more interested in novels, stick around until the end of this article for news about my next novel and a cover reveal!

mystery and suspense storiesDzintra’s Tale,” now in the July/August issue of Ellery Queen Mystery Magazine, was inspired by experiences of my late father and late aunt during their exodus from Latvia in 1944 and subsequent years as displaced persons. Click here to read more on the blog Something Is Going To Happen, where I give some of my family’s history and the way it triggered my imagination in writing the fictional story “Dzintra’s Tale.” To readers who have been moved by the story enough to contact me directly, I thank you for sharing your personal stories of friends and family from the Baltics and WWII DPs.

The July/August EQMM issue includes stories by these fine writers, with whom I’m proud to share the pages (click on any name to learn more): Vicki Weisfeld, Richard Helms, S.J. Rozan, Trey Dowell, Michael Bracken, Marilyn Todd, Aoife Clifford, Peter Turnbull, Chris Holm, Brendan DuBois, Twist Phelan, Steven Hockensmith, R.T. Raichev, Takemaru Abiko, Tara Laskowski, Tony Fisher, and James Hadley Griffin. Thank you to editor Janet Hutchings and associate editor Jackie Sherbow of EQMM.

mystery and suspense storiesReleased in June, the anthology The Best Laid Plans, 21 Stories of Mystery and Suspense, includes my story “Sucker Punch.” I’ve lightened up on this one—just have fun with it!  In this diverse collection, each writer offers a unique twist on the theme suggested by the anthology title. Here are a few that really grabbed me: P.A. DaVoe’s “Gambling Against Fate” features a 14th century murder investigation with fascinating details about the legal system of the Ming dynasty, and Edith Maxwell’s characters in “The Stonecutter” are so well drawn I was fully immersed in their tale.

They’re all great. For no-spoiler summaries of all 21 stories, click here to check out Kevin Tipple’s review. And click on any name to learn more about the authors in this anthology: Tom Barlow, Susan Daly, Lisa de Nikolits, Peter DiChellis, Lesley A. Diehl, Mary Dutta, C.C. Guthrie, William Kamowski, Lisa Lieberman, Edward Lodi, Rosemary McCracken, LD Masterson, KM Rockwood, Peggy Rothschild, Johanna Beate Stumpf, Vicki Weisfeld, and Chris Wheatley. A big thank you to Superior Shores Press and editor Judy Penz Sheluk, who also contributed a story.

mystery and suspense storiesComing in September from Level Best Books, the anthology Me Too Short Stories, Crimes Against Women, Tales of Retribution and Healing. In my story, “No Outlet,” a woman haunted by memories of a long-ago crime is spurred into action on behalf of a younger woman in trouble. Here is what editor Elizabeth Zelvin wrote in her announcement of the anthology:

“What do women want? A voice. To be heard. Respect. To be believed. Justice. To be both safe and free. The women and children in these stories use the means at hand to protect themselves and those they love… These women are neither femmes fatales nor throwaway victims, nor are they the tough-talking, gunslinging superheroines at the shallow end of crime fiction. These stories, written by women, are about women and girls as strong, as vulnerable, and as varied as their counterparts in real life… In this anthology, you will hear their voices.”

In addition to yours truly, here are the voices you will hear (click on names to learn more): Lynn Hesse, Rona Bell, Ana Brazil, Ann Rawson, C.C. Guthrie, Carole Sojka, Dayle A. Dermatis, Diana Catt, Eve Fisher, Ginn Gannon, Julia Buckley, Julia Pomeroy, Madeline McEwen, and editor Elizabeth Zelvin.

Save the date! The launch party happens on the evening of Tuesday, September 24, 2019, at The Mysterious Bookshop, 58 Warren Street, New York City. Even if you can’t make this date, New Yorkers, be sure to visit The Mysterious Bookshop when you get a chance. It’s an amazing store! [Dancer friends, the store is only a few blocks from Gibney Dance!]literary, mystery, and suspense stories

Now, here is a big thrill I got in May. My collection Your Pick: Selected Stories, won the Eric Hoffer Award for Best Short Story Collection, and was also a Finalist for the Montaigne Medal. Your Pick benefits from the input of my readers over the years. Your comments and reviews helped me select the most-loved stories from my previous collections.

 

Last but not least: A Cover Reveal!

Coming January 2020, Seven Shadows, the fifth Dana Hargrove novel.

Isn’t this cover riveting? Kudos to my cover artist, Roy Migabon.

 

mystery and suspense cover reveal

In Seven Shadows, former prosecutor Dana Hargrove, now a trial judge in Manhattan, is presiding over a high stakes media case when strange things start to happen. Is someone watching her? In the fifth standalone suspense novel of the series, Dana and her family scramble to find out who is lurking in the shadows—before it’s too late.

If you are a blogger or reviewer, please contact me to request an advance reader copy. ARCs will be available in October! Woohoo!

Now, back to “work.” Even on my birthday. “Imagination is my refuge, conception and creation my delights.”

Thanks for reading.

[Attaching here #64Selfie. Didn’t get around to taking the #65Selfie yet.]

The Contest: Book Review and Conversation with Kate Robinson

I recently made an exciting discovery I’d like to share with you, a story collection by authors new to me, Joe DiBuduo and Kate Robinson.

 

The Contest and Other Stories is exceptional in every respect: concept, writing quality, and pure entertainment value. The nineteen stories in this volume could stand alone as an exquisite collection of short fiction, but the authors have added so much more, framing them, uniquely and imaginatively, in the context of an engaging novella about a struggling art magazine in the 1960s. The magazine holds a monthly short fiction contest, challenging writers to submit tales inspired by classic oil paintings. The nineteen winners of the contest, with the artworks that inspired them, alternate with chapters of the novella.

The short stories run the spectrum from the delightful and fanciful to the macabre and horrific. A few of my favorites: A bone-chilling alternate history of Juan Rodriguez Cabrillo’s demise while exploring Santa Catalina Island in 1542. A look inside the mind of a hallucinating, mad artist, Vincent Van Gogh, negotiating with his muse. A seemingly sweet, romantic nineteenth century tale aboard a passenger ship that surprisingly creeps into a nightmare on the power of memory. A slowly unfolding mystery about the significance of an artifact from the time of Napoleon. A heartwarming paranormal story of reincarnation and transformation, from dead-of-winter tragedy to a sunny future of hope and life.

After each story, I thoroughly enjoyed the ensuing chapter of the novella, eager to learn what would befall the art magazine and its engaging cast of characters, eager to learn, after that, which artwork the editors would choose for the contest and to read the next “contest winner,” assured that it would be something entirely new and outstanding. The novella itself ends in a surprising twist. In short, this was a page-turner, and even better than that, a testament to the value and necessity of art and creativity.

The Contest is for anyone who loves great storytelling, a unique and different reading experience, and thought-provoking themes that honor your intelligence and spur your imagination. I’m thrilled that Kate Robinson, one half of the writing team, has graciously agreed to answer my burning questions about this unique, creative project.

Welcome to VBlog, Kate! Tell us a little about your background and that of your co-author Joe DiBuduo.

We like to say that Joe has the vivid imagination and I have the word-whacking toolbox, as stated in the book bio. Of course, in reality we both have the imaginative and editorial sides of author mind, though we often see things differently. That presents some challenges in collaboration, but it also brings many strengths—the ability to see characters and plots from various angles is helpful.

Joe and Kate

I began writing poetry in childhood and didn’t become interested in writing fiction until my forties, and my initial immersion in poetry fostered a lyrical aspect to my prose, or so I’m told. Joe began writing fiction in his sixties and later adopted poetry into his daily writing routine after he had a good feel for the mechanics of story. He’s developed a style he calls “poetic flash fiction”—he’s partial to telling stories within the confines of many of his poems.

I’m more an anything goes type of writer—I’m game for whatever my subconscious channels at any particular time, and my body of work is smaller than Joe’s but more diverse in that I experiment with many different styles.

How did you and Joe develop the concept for The Contest?

Joe is an artist who works in many media—glasswork, sculpture, and painting. So he has a natural bent for art and a strong interest in art history. He has a great love of coffee table art books and visiting art galleries and museums, and his walls at home are filled with paintings and his front yard is filled with his massive sculptures.

As Joe was learning to write fiction, he chose to use artwork as story prompts. While he worked with these stories inspired by paintings, he envisioned a connected collection of historical stories linked with a more contemporary story about a young man struggling to find his way in the world. And so, The Contest and Other Stories was born.

When I began crafting story, I used my dream journal entries rather than visual art as prompts.

I’m also a museum aficionado, but I lean more toward appreciation of the historical and anthropological aspects of museum collections. I have a BA in Anthropology with emphasis in Museum Studies and a big interest in indigenous peoples’ cultural stories and in their modern fiction.

So we each brought our unique interests and talents into this quirky collection of stories.

Tell us a little about how your collaboration worked.

Joe began presenting the artwork prompted stories to the critique group we both belonged to in the early ‘00s. I felt these stories were his best work at the time (and I still feel that’s true today). I was thoroughly intrigued with the stories and greatly enjoyed critiquing them. Eventually, Joe had a rough draft consisting of the connecting novella and nearly three dozen stories in various stages of completion. He felt bogged down with the enormity of fleshing out the incomplete stories and paring the collection down to a manageable size, and knowing I loved the stories, he invited me to share his vision as a co-editor and co-author. By this time (early 2011), he still lived in north-central Arizona and I had landed in California after a year of working on a Master’s degree in Wales. So the collaboration became one done via lots and lots of emails forwarded back and forth over the next several years.

In retrospect, Joe had the initial vision and the initial go at writing the collection draft, and I followed up with my two cents. In some cases, I simply line edited nearly finished stories, and in other cases, I did substantial research and writing to complete them. I also designed the book interior and did some marketing in the form of submitting stories to journals and anthologies to drum up interest in the collection. We had a half-dozen stories published in advance of the book.

Each story in this collection is unique. Do you have particular favorites?

I’m partial to the stories in which the artists appear, especially those in the context of magical realism or alternate history—or both. “Night Café” is my personal favorite. “Masterpiece” and “A Life in Flowers” are two others I enjoy reading time and time again.

Joe is also particularly proud of “Night Café” because he’s particularly fond of the work of Vincent van Gogh, and because the story won a quarterly New Short Fiction Award at a music website, Jerry Jazz Musician, in 2012.

Kate, thank you for this insight into your collaboration!

Dear Short Story Lovers,

I highly recommend The Contest! Get it here.

Stay tuned for more short story news, coming your way soon! I have three new stories, to be published this year in a magazine and anthologies. And…wish me luck. My latest collection, Your Pick: Selected Stories, is currently a finalist for the 2019 Montaigne Medal. The award, named for French philosopher Michel de Montaigne, is for “the most thought-provoking books. . .that either illuminate, progress, or redirect thought.”

Your Pick is a 5-star Readers’ Favorite and “recommended without reservation” by Book Viral.

Ordinary Life: Book Review

Dust of the Universe by V.S. KemanisOne of my readers gave me Ordinary Life: Stories, by Elizabeth Berg, and mentioned that the themes in the book reminded her of my collection Dust of the Universe, tales of family. I’m so thankful for this gift.

Each story in this collection reflects exactly what the title says, ordinary life. So simple, yet so deep, these stories touch on the exquisite moments we all experience and can relate to. Elizabeth Berg reawakens us to the small things that make us human, make life worth living. She reminds us to be grateful for the routine and commonplace events that give us comfort, delight, and yes, magic.

The opening and closing stories in this collection are perfect bookends Ordinary Life: Storiesto the theme. In the opening piece, “Ordinary Life: A Love Story,” a woman of 79 takes a week-long timeout from her husband to reflect on her life. The memories and images of people, possessions, and family milestones tumble out in a free flow of association. At this stage of her life, she wonders where the time went and what’s next. “How could she have known that ordinary life would have such allure later on?”

The closing story, “Today’s Special,” is about how good it feels to eat in a diner. Is there anything more mundane? It’s an extraordinary piece of writing! The author tells us in the afterword that this is one of her earliest stories, a reflection on what she might tell a friend who is suffering from depression. It’s a wonderful description of the comfort food and the people in the diner, along with a list of other everyday images, ending with this: “Isn’t it those small things that add the necessary shape and meaning to our lives? And don’t we miss seeing them if we look too hard for big things?”

Many of the relationships in these stories have suffered a gradual erosion from the tedium of everyday life. This is something we all struggle with. Underlying the weight of years is the yearning for something BIG, the revelation of a grand plan. Habits and patterns of behavior become ingrained and hurtful to others. “We all return to what’s familiar to us… Even if it’s not so wonderful, it’s what we know,” a man tells his wife, who struggles with the anger she feels toward her emotionally distant, verbally abusive father. (I love the name of that story: “One Time at Christmas, in my Sister’s Bathroom”!)

The story that really hit me was “Take this Quiz.” It concludes with a metaphor that’s a bit too obvious, but its placement at the end and the truth it reveals runs deep. The implicit message is clear and applies to every relationship, whether casual or intimate: Once the words are out of your mouth, it’s too late to take them back.

Each story is a compact little gem with a lesson to learn or a nugget for inner reflection. The stories move toward something. In their struggles with interpersonal relationships, Berg’s characters always make a transition toward self-knowledge, acceptance, or revelation.

Dear Short Story Lovers: I highly recommend Ordinary Life.

And V.S. Kemanis at KGB Barspeaking of short stories, here I am at the iconic KGB Bar in Manhattan last month, reading my short story “Times Square Tail” from Malocclusion, tales of misdemeanor. What a fun night!

Malocclusion, tales of misdemeanor

 

 

 

 

 

Stay tuned for more great news about my short stories: cover reveal for a collection of selected stories, and new stories accepted for magazine and anthology publications!

 

7 Stories in 7 Sentences: Crime Fiction Review

Time is tight. Consider reserving a bit of it to feed your imagination and creativity. A story a day! Have a complete experience in half an hour, give or take. Be entertained, enlightened, intellectually stimulated. Drawn into another world.

You’ll find eighteen outstanding stories in the July/August 2018 issue of Ellery Queen Mystery Magazine. (And what a great cover image by Brian Stauffer!) These talented authors, within the space of a few pages, will immerse you in the lives of their characters with their mind-bending dilemmas, relatable motives and desires. I’ve chosen seven of the stories here and offer one sentence on each. Shorts on shorts—no spoilers!

Mahadevi, by Jane Haddam

Hinduism and philosophical reflections on the nature of good and evil, the spiritual and material, distinguish this compulsively readable tale of sibling rivalry and familial discord.

Edgewise, by Louisa Luna

In this atmospheric story, the author’s laconic style and insight into human behavior subtly draws you into the essence of two lives, white and black, capturing their respective experiences of revenge, race relations, and policing.

English 398: Fiction Workshop, by Art Taylor

This multiple award-winning author successfully experiments with a non-linear structure, interwoven points of view, and a bit of valuable pedagogy in this humorous crime tale, a unique twist on a familiar aspect of college campus life.

The Mercy of Thaddeus Burke, by David Dean

Master storyteller David Dean makes you feel for his Irish mobster characters in their conflict over a generational changing of the guard, leaving you to ponder questions of competing loyalties.

The Professor, by Janice Law

There’s nothing obvious about this cleverly plotted, tightly written tale of deception and just deserts.

Hotel Story, by Sigrid Nunez

A reflective piece of flash fiction, the story taps a personal mystery each of us has experienced at one time in life.

Last Call, by Gemma Clarke

In “The Department of First Stories” of the magazine, this fiction debut impresses with its imaginative criminal design of stealth.

So, dive in and have fun! In addition to these stories, the issue includes stories by John H. Dirckx, Timothy O’Leary, Peter Turnbull, Marvin Kaye, Jane Jakeman, William Dylan Powell, Peter Lovesey, Thomas K. Carpenter, Amy Myers, François Bloemhof, and Alaric Hunt.

For more stories, check out my collection Love and Crime. Two of the eleven stories were first published in Ellery Queen Mystery Magazine.

Legal Eagles, Attorneys Writing Fiction (4): Kevin Egan

Midnight by Kevin Egan

I’m pleased to welcome author Kevin Egan to VBlog for this installment of Legal Eagles. I first met Kevin a few years ago at a meeting of the Mystery Writers of America, New York chapter. We soon discovered a few things we have in common. Not only are we attorneys who write crime fiction, we also have years of experience working for New York courts and judges. We know what it’s like to juggle a demanding legal career with a passion for fiction writing, squeezing the current work-in-progress into the cracks at either end of the workday and on weekends.

In our careers, we’ve both held positions as judicial law clerks. Don’t be fooled by the word “clerk.” This position is held by an attorney who works closely with a judge in a confidential capacity. While the degree of authority delegated to the law clerk varies from judge to judge, many law clerks exert considerable influence over the court’s decisions.

When Kevin explained the premise for his novel Midnight, I had to read it! The unique plot is built around the relationship between a law clerk and his judge in a setting I know very well, the courthouses in lower Manhattan. Unlike many crime novels, Midnight opens not with a murder but with the judge’s death from natural causes, which serves as the catalyst for a series of progressively serious crimes.

You won’t anticipate the many twists and turns in the domino spiral, set in motion by the slowly unfolding secrets of the characters and their conflicting motivations. Tom, the judge’s law clerk, is in debt to a loan shark and feels no serious ethical qualms in rewriting the judge’s opinions to buy his way out of trouble. Carol, the judge’s secretary, carries the financial and emotional weight of caring for her son and her mother while harboring secrets of past sexual affairs. A couple of court officers are anxiously awaiting the judge’s decision in a lawsuit that could abolish their overtime pay. Add to these characters the loan shark’s collection thug, a corrupt union boss, and a brutal mobster, and the resulting web of criminal intrigue spins out of control.

Fans of noir and legal thriller will thoroughly enjoy this compulsively readable tale of desperation and consequence. Legal details are deftly woven into the plot in a way that is easily understood without sacrificing accuracy. Midnight was a Kirkus Best Book of 2013 and is the first of three novels to feature the character Foxx, one of the court officers in the tale. You bet, I’ve put the next two novels on my “to-read” list! They are The Missing Piece (2015), and A Shattered Circle (2017), which received the coveted starred review from Publishers Weekly.

Welcome to VBlog, Kevin! I really enjoyed Midnight. How did you come up with your idea for this novel?

A law clerk and confidential secretary—the standard judicial staff in New York state courts—are personal appointments, which gives the judge free rein to hire and fire without an agency like the EEOC stepping in. However, if a judge dies or retires mid-term, an actual law—Judiciary Law § 36—determines the employment fate of the judge’s staff. It may be an oversimplification, but in dramatic terms, if the judge dies or retires, the staff keep their jobs until the end of that calendar year. So Midnight starts with a premise—what is the worst day of the year for a judge to die? Answer: New Year’s Eve. Tom and Carol’s plan to save their jobs for another year is simple enough: remove the judge’s body from chambers, place him in his bed in his apartment, then begin to “worry” about his failure to return to work until mid-day on January 2. But the plan turns out to be anything but simple.

Do you tend to write an outline first or just take the idea and run with it?

I have published 8 novels, and 7 of them have been written in the “take the idea and run with it” method. The lone exception is Midnight. Midnight first appeared as a short story in the January 2010 issue of Alfred Hitchcock Mystery Magazine. By that point, I was already working on expanding the premise into a novel. It was the only time I created a full outline, which I then followed with only minor deviations. The structure was rigid. It was to cover a period of four days, from December 31 to January 3. Each day presented a problem that Tom and Carol seemingly overcame by nightfall, only to have a more serious problem arise the next day.

Tell us a bit about works by K.J. Egan and Conor Daly. What went into your decision to use pseudonyms? Do you have any advice for writers on this subject?

My first book was a science fiction novel called The Perseus Breed. I started writing a sequel, but then switched to writing what would become a three-book golf mystery series. My agent insisted that I needed a pen name for the mysteries because, in her words, bookstores don’t want the same author on different shelves. And so Conor Daly was born. Having a pen name seemed problematic at the time, though I can’t recall any specifics other than a reader who persisted in writing letters to me as Conan Doyle.

Twelve years intervened between the last Conor Daly book and Where It Lies. By then, I decided to nudge my pen name closer to my real name. There also was a strategy. Since Where It Lies featured a first-person female narrator, I wanted a gender-neutral name on the cover. Using my initials filled that bill.

As for advice, I’ve come to believe that a pen name is a necessary evil. Publishers are much less patient with poor sales, and sales figures now hang onto an author like Jacob Marley’s chains. A pen name can offer a fresh start.

What’s next for you? Is another novel in the works?

I also write short stories. “The Movie Lover,” appearing in the July/August issue of AHMM will be my 26th published short story. I started this year on a short story tear, writing three in the month of January. As for novels, remember that science fiction novel I put down to become Conor Daly? I’ve returned to it.

Thank you for joining me on VBlog, Kevin!

Dear Reader, do you love legal thrillers? Pick up one of Kevin Egan’s books! Also, check out the other entries in the Legal Eagles series on VBlog to learn more about these attorneys who write crime fiction: Manuel Ramos, Allison Leotta, Allen Eskens, Adam Mitzner, Jerri Blair, Brian Clary, and of course, Yours Truly.

White Plains: Book Review and Conversation with Author David Hicks

“When it comes right down to it, I’ve decided, almost every relationship involves two people with intense insecurities masked by whatever behavior it takes to keep those insecurities from being exposed, while at the same time revealing their equally desperate need to have them exposed, even embraced.” – from White Plains

White Plains by David HicksI’m pleased to welcome David Hicks to VBlog for this installment of Fiction Favorites & Awesome Authors. His debut novel White Plains is the story of a young man’s search for himself. We first meet the protagonist, Flynn Hawkins, when he’s twenty-two, a graduate student and teaching assistant in the English department of a fictional New York college. In the final chapter, we see Flynn at age forty, just beginning to internalize some valuable life lessons. He has taken a big step closer to self-knowledge, openness, and honesty with himself and others, but he still has a distance to travel.

Flynn’s journey is told in a series of connected stories from different viewpoints. As a fan and writer of short fiction, I relished each chapter as a standalone piece of great writing. Many of the chapters were previously published in literary journals. Most are told from Flynn’s viewpoint, in first person or third person, and several others are told by the people in Flynn’s life: a professor, a close male friend, a high school coach, Flynn’s sister, wife, son, and daughter. This technique renders the most fully-drawn character I’ve seen anywhere.

The stark contrast between Flynn’s perception of himself and how others see him is a variation on a theme that intrigues me and is woven into my courtroom fiction: what is truth or reality but a set of widely varying, subjective points of view? At a criminal trial, ten witnesses will describe the same event ten ways, often inconsistently. In the context of personal relationships, the inability to appreciate the impact of one’s behavior on others can be self-destructive. Flynn’s story, as told from different viewpoints, serves as a wake-up call for the need to step outside oneself as a means of self-examination.

What did I think of Flynn? I flip-flopped between loving and hating him, losing all respect for him and regaining it. He tries so hard that I wish him well. I don’t count my wildly shifting feelings for him as a detraction from the quality of the read. Quite the contrary. This book draws you in. There’s intensity, wit, depth, tenderness, and beauty in the prose. The good and the bad—that’s what makes a complete person. Throughout Flynn’s journey, dear reader, you are going to feel a lot of emotion, and that’s the stuff of great fiction.

I enjoyed this book right through to the last paragraph of the afterword. The author acknowledges his family for co-authoring the story of his life, “which, thanks mainly to them…, seems to be building towards a happy ending. May it, like the final chapter of this book, be just a tad too long.” The last chapter of the book may be the longest, but for me, it was the best. After all the ups and downs, I was glad to see, at last, that Flynn made some real progress in his quest for self-actualization. The people in his life are going to start feeling a whole lot better about him too.

And now, I’m happy to welcome David Hicks to VBlog. Thank you for joining me!

It’s my pleasure! A big hello to all your readers.author David Hicks

White Plains is a resonant work of art. Tell us about its conception and your process. Did the project start as a single short story that begged to be expanded, or did you plan a novel in the form of linked short stories from the start?

Neither! I was just going about my business as a short story writer, publishing in some wonderful literary magazines, when I decided I had enough stories for a collection. Most of my published stories are somewhat autobiographical—I tend to write about times in my life when something shifted for me—and while I was at an artists’ residency in Wyoming I made it my goal to put the stories together in book form. I tried out different arrangements, but it was when I experimented with putting the stories in chronological order (not according to their publication dates but according to the main character’s life) that I realized it could be a novel instead of a collection—there was, in other words, an overall conflict, crisis, and resolution to the whole book. But since it wasn’t written as a novel, I now needed to revise it as a novel, and that meant “filling in the gaps” of the overall narrative. I did that by adding chapters from other characters’ points of view. (I got that idea from a wonderful book called The Last to Go by Rand Richards Cooper.) After that, it felt more like a novel, and I felt justified pitching it as such.

Some of the chapters from Flynn’s point of view are written in first person and some are written in third person. How did you decide which to use?

As a general rule, when I write something that’s a little too autobiographical, I write in third person. It gives me a little distance from myself. I am able to say, “Wow, look at you, what the hell were you thinking when you did that?” And it also helps me to craft my real-life event as a story rather than emotionally “dumping” onto the page. And when it’s not very autobiographical, I narrate in first person, to force myself into a more intimate voice. It also depends on the situation: for example, the chapter that shows when everything changes for young Flynn—when he’s living in Manhattan during 9/11—was originally written in second person (my editor advised me to change it to third person), because it evokes the kind of shell-shocked feeling that seems appropriate for the subject matter.

Do you consider Flynn a reliable narrator? Tell us about your decision to incorporate other voices.

Absolutely not—he’s completely unreliable, especially at first. (Towards the end, he becomes more reliable.) Isn’t that how we all are? And that’s what we like; we like hearing unreliable accounts of events from our friends and family. (How many of us, when hearing a friend’s story of an argument with their spouse or a terrible boss, actively set about contacting the spouse or boss to get a fair version of the story?) It’s the same when we read. Think of Nick Carroway in The Great Gatsby (who has very little idea what has really happened during key scenes), or Dostoevsky’s narrator in Notes from Underground (who’s view of himself and others is irreparably distorted)—we enjoy it when narrators “tell the truth but tell it slant.”

One of my favorite chapters, a very suspenseful one, involves Flynn driving through a snowstorm and getting stranded in the Colorado Rockies. Did you have a similar experience that informed this scene?

That’s a good example of what I was talking about earlier: I wrote that story in third person because it’s almost one hundred percent autobiographical. For two years I lived in one of the most beautiful places in the country, but it’s also quite remote. I got a teaching job over four hours away and proceeded to “commute” there via an isolated route that traversed several mountain passes. I had no money (I was giving my ex-wife the bulk of my paycheck for child support), so I was driving on bald tires, and one week we got some serious snow and I almost died, both on the way there and on the way back. But at my worst moment, stranded in my car in a snowbank, I stepped out at four a.m. and witnessed a spectacular meteor shower in the clear night sky. And after that, I knew what I needed to do.

Do you have another novel planned or in the works?

I’m currently finishing a novel called The Gospel According to Danny, about the death of America as told by a waiter in Yonkers. It’s quite different from White Plains in that it’s a long, linear narrative with many dramatic events. I’m in love with it, but it’s been a very difficult novel to write, so I can’t wait to send it off to my agent.

Thank you for these illuminating insights, David!

Dear reader, to learn more about David Hicks and White Plains, visit his website by clicking here. To pick up a copy of White Plains, click here.

Love and Crime, Stories

I’m pleased to announce that my new story collection will be released May 1, 2017!

Here’s the blurb:

Lovl & c renderes big and small… Crimes forgiven or avenged…

These are the themes that drive the eleven diverse stories in this new collection of psychological suspense from storyteller V.S. Kemanis.

Meet the husband and wife team Rosemary and Reuben, master chefs known to sprinkle a dash of magic into every dish.

Lucille Steadman, a dazed retiree who can’t explain why she’s left her husband, only to discover, too late, the meaning of love and commitment in the most surprising place.

Franklin DeWitt, an esteemed ballet critic who witnesses—or abets?—a bizarre criminal plot to topple a beautiful Soviet ballerina.

Rosalyn Bleinstorter, a washed-up defense attorney whose stubborn belief in her own street savvy leads her unwittingly into a romantic and criminal association with an underworld figure.

These are just a few of the colorful characters you’ll get to know in these pages, where all is fair in love and crime.

While the endings to these tales are not always sweet or predictable, and self-deception is rarely rewarded, the lessons come down hard and are well learned.

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This collection includes stories originally published in Ellery Queen’s Mystery Magazine, Lynx Eye, The William and Mary Review, and Iconoclast.

Stay tuned for more news on Love and Crime!